Melba Abela
Steve Baibak*
Jane Catlin
Xuchi Naungayan Eggleton
Ariel Erestingcol
Peter Forakis

Terra Fuller
Servando Garcia
Hildegarde Haas (Estate)*
Edith Hillinger*
David Johnson
Hiroyo Kaneko
James Leong*
Katherine Love
Brigid McCabe
Chris McCaw*
Ben Needham
Viva Paredes
Johanna Poethig*
Sam Provenzano (Estate)*
Hilda Robinson*
Charles Schucker*
Isabel Urbina
Fan Lee Warren
Leo Valledor (Estate)*
Kelvin Ming Young
 
*Artists in Museums/Public Collections
 

artists

KATHERINE LOVE
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Artist Statement

Most recently Love’s artworks have been influenced by old cookbooks and domestic science texts from the 1920s to the 1960s. Continuing an exploration of traditional women’s roles in society, these works refer to certain food-preparation techniques (such as Jello molds) as well as the expectations for domestic work placed on women in the past as well as today. In her paintings, pre-printed fabrics develop the composition and provide a conceptual connection to historically female tasks such as laundry, ironing and sewing. Household materials such as curtains, sheets, lace, doilies, and floral patterns refer to domesticity, while embroidery and sewing are particularly time-consuming crafts that women were expected to practice. Love is interested in the duality within herself between the acceptance and embracing of certain traditional roles, and needing to question that which she is willing to perform and include in her life.

Love’s most recent method of working with mixed-media techniques first involves creating a drawing with graphite on paper. She then stitches together pieces of fabric and mounts these along with the drawing to a prepared board. After mounting, she coats the surface with a protective layer of acrylic matte medium. Beeswax mixed with paraffin is melted and brushed onto the surface. Love then paints using oils. She will go back into the surface many times to scratch or melt away wax and paint to reveal patterns in the fabrics or elements of the drawing. The resulting layers and textures add to the visual interest of the piece as well as the tactile quality of the surface.


Biography

Born in Santa Monica, California in 1967, Katherine Love received her BA in Art and Dramatic Arts from the University of California, Santa Barbara in 1990. In 1995 she moved to Honolulu from Venice, California to attend The University of Hawaii at Manoa, where she received her MFA in painting in 1998. She has worked at The Contemporary Museum, Honolulu for the past 9 years, first as Receptionist/Assistant to the Director, and presently as Exhibitions Coordinator. She currently lives in Honolulu with her husband, printmaker Charles Cohan, and their daughter Sabrina.

Love has had solo exhibitions at Hui No‘eau Visual Arts Center on Maui, thirtyninehotel in Honolulu, Kirsch Gallery at Punahou School, and Hawaii Pacific University Art Gallery in Kaneohe. Recent group exhibitions include Artists of Hawaii 2007 at The Honolulu Academy of Arts; Seven: Up at The Academy Art Center at Linekona, Honolulu; Rouge at Indigo Contemporary Art, Norfolk, VA; and Recent Acquisitions of Works by Hawaii Artists at The Contemporary Museum, Honolulu. After traveling to Italy in 2002 and 2003, she developed a body of work influenced by found fabrics, postcards of tourist destinations, and the art and architecture of Rome and Tuscany. In 2004 she completed a commission of six paintings for the lobby of Coldwell Banker Pacific Properties in Honolulu. Her work can be viewed at katherinelove.com.

 

 

 

 

 

© 2007 Togonon Gallery